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The use of alliteration and assonance in the titles is a testament to the rhythmic psychotic way the band is approaching their image.These musical brainwaves capture the invading feeling of being taken on an out of this world journey of exploration. Paul Litherland appears on Western Australia's state run current affairs program, Under Current in February of 2016.Here he discusses a number of issues relating to the online world of children and adults.This story by Liam Croy in The West outlines the work Paul is doing around Perth with Surf Online Safe.Paul also discusses the necesity for revenge porn laws to be introduced into Western Australia and outlines tips for kids and parents.You’ve said that watching Red Engine Caves made you think that you “need to do that” have they been a big inspiration behind your sound or performance?Which other bands have been your most valuable learning tools?

We’d like to find something that is classic and golden and give it a modern twist.

Someone will bring a flavour to the table then we throw it around in a jam, find something interesting and work on structuring a song around that.

It’s usually a riff or maybe a heavier breakdown then get our heads around the bass and lyrics come last I guess.

Luke and I write a bit more now that we live together but the hardest bit is eliminating sequences because we like more than we don’t at the moment and were trying to experiment.

There’s no real control of a typical ‘this should go here and we need a bridge there’, we kind of just let our ears rule our composing choices.This story by Claire Bickers covers a series of reports and articles on the need for change in WA regarding online crime legislation.

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